by Brynne Barnes ; illustrated by Rogério Coelho ‧ RELEASE DATE: Sept. 1, 2016
Overall, this misses the mark and won’t wing its way to success.
A rhymed text explores the imaginary places where a book can transport a reader.
“It has pages and pictures, / a cover, it’s true, / even words and a writer— / and readers like you. / It can do anything / that you want it to do. / But this is not a book. // Because books do not have wings.” All kinds of magical things can be found in the pages of this not-a-book. Readers whirl up a complicated agglomeration of gears into the clouds to clockwork cities and a pirate ship, as the text continues his protestations that it is not a book. Text notwithstanding, it’s the artwork that evokes the imagination and captures the eye as two children, one dark-skinned with short, black, curly hair and the other fair-skinned with long, blond hair, experience various adventures. The illustrations blend the quirkiness of Henrik Drescher with the detailing of Graeme Base in vivid colors and intriguing images. The rhymes tend to get in the way of the images they are describing, however. “This, here, is a submarine, / a never-look-back, pretend-it machine, / to explore the depths / of the vast marine / with urchins, seaweed, / and schools of sardines. / Come closer, dear reader, / and see the unseen— / this thing that’s not a book.” The repetition of the title phrase feels both precious and monotonous, muddying the conceit—which stands a very good chance of actually confusing readers.
Overall, this misses the mark and won’t wing its way to success. (Picture book. 5-7)Pub Date: Sept. 1, 2016
ISBN: 978-1-58536-964-5
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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by David Milgrim & illustrated by David Milgrim ‧ RELEASE DATE: March 1, 2003
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by David Milgrim ; illustrated by David Milgrim
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by Antoinette Portis ; illustrated by Antoinette Portis ‧ RELEASE DATE: Dec. 1, 2006
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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