The book has its heart in the right place, but its mind is too clearly focused on adult agendas and preoccupations.
Barnes’ earnest, rather oblique text interrogating the use of colors as labels for people is at odds with its playful, naive collage art.
The clunky opening line reads, “I’m just a kid coloring the world in the pictures I drew. I look in my crayon box to see which one I’d be…I wonder if kids are colors too,” propelling readers into a lengthy rumination on whether elements of the natural world “see” a child as a color. “Am I a color to the sky? Am I a color in my dreams? Am I a color to the moon? Am I a color to the sea?” The ideological slant declares color an inadequate and limiting description or category for a human being. While a laudable message, it seems a rather abstract one for the intended child audience, though Nelson’s accompanying, playful and, yes, colorful, collage illustrations seem much more in tune with young children’s sensibilities. This title doesn’t measure up to other more developmentally appropriate titles prompting discussion about race, ethnicity and diversity. Let's Talk about Race, by Julius Lester and illustrated by Karen Barbour (2005), and The Skin You Live in, by Michael Tyler and illustrated by David Lee Csicsko (2005), are just two of these.
The book has its heart in the right place, but its mind is too clearly focused on adult agendas and preoccupations. (Picture book. 5-8)Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-541-8
Page Count: 28
Publisher: Sleeping Bear Press
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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