Not up to the original—leave it on the shelf and find a recording of the real Abbott and Costello.
One of the funniest comedy routines ever to be heard doesn’t successfully translate to print although nearly every word is intact.
Abbott appears as a red-nosed bear, and Costello is a hapless rabbit, with both creatures dressed in striped shirts and red baseball caps. The dialogue is variously presented in word bubbles, boxes or “shouted” in explosive, full-page format, with all the text in sizes appropriate to the characters’ levels of frustration. Superbright green, yellow, red and blue backgrounds make it all pop. But in book form, the dialogue comes off as merely amusing rather than laugh-out-loud funny, partly since in its original form it was completely auditory. The two men delivered the lines in fast-paced, smartly timed patter with voice inflections indicating annoyance, anger, impatience or resignation. The fun was in the misunderstanding of the wordplay. While Martz’s cartoon animals indicate their emotions in their body language and facial expressions, it’s just a little flat. In addition, depicting each player as an animal (Who is a snake, What is a dog, etc.) makes it possible for readers to actually visualize a “real” team and diminishes the wordplay. To work at all, it must be read aloud in two distinct, enthusiastic voices so young readers can share the experience.
Not up to the original—leave it on the shelf and find a recording of the real Abbott and Costello. (afterword, biographical notes) (Picture book. 7-10)Pub Date: Feb. 19, 2013
ISBN: 978-1-59474-590-4
Page Count: 40
Publisher: Quirk Books
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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