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NO DREAM IS TOO HIGH

LIFE LESSONS FROM A MAN WHO WALKED ON THE MOON

A retread of old material repackaged as an inspirational guidebook. Though aiming to inspire readers of all ages, this will...

The astronaut recounts life lessons learned from his historic Apollo 11 moonwalk in 1969 and beyond.

In this rambling, loosely structured, and frequently awkward hybrid of memoir and motivational self-help guide, Aldrin (Mission to Mars: My Vision for Space Exploration, 2013, etc.) treads heavily on familiar ground touched on extensively in other accounts of the moon mission, such as First on the Moon (1970), co-authored with fellow astronauts Neil Armstrong and Michael Collins, and Aldrin’s own previous memoirs, also relating to the Apollo 11 mission and his later struggles with alcoholism and depression. Aldrin attempts to shed light on some of the lessons he learned along the way. The author focuses each chapter on an inspirational message—e.g., “Keep your mind open to possibilities,” “Maintain your spirit of adventure,” “Keep a young mind-set at every age.” The message is sometimes disjointed. In “Second Comes Right After First,” Aldrin initially tells of how he came to embrace being the second man to step foot on the moon, following Armstrong, yet he spends much of the chapter asserting his claims for having been “first” in other areas of space exploration. Though the author has remained a dedicated and forceful advocate for the United States to continue planetary exploration, generously participating in fundraisers and providing educational support whenever needed, he has also increasingly applied his celebrity status to numerous guest appearances on TV shows such as 30 Rock, The Big Bang Theory, and The Simpsons and as a contestant on Dancing with the Stars. A few of his lessons boast of these appearances and his ability to successfully mix with the various talent.

A retread of old material repackaged as an inspirational guidebook. Though aiming to inspire readers of all ages, this will likely appeal to an older readership and devoted fans of Aldrin.

Pub Date: April 5, 2016

ISBN: 978-1-4262-1649-7

Page Count: 224

Publisher: National Geographic

Review Posted Online: Feb. 2, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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