Essential for students of contemporary world literature.
Best-of gathering of stories from the first two decades of the distinguished literary award devoted to African letters.
In his introduction, Nigerian poet and novelist Ben Okri writes that the Caine Prize for African Writing “has turned out to be a regenerator of African literature,” a literature that experienced a boom in the immediate post-colonial era but is less well known today. The mostly young writers represented in the collection have, he continues, delivered “tales political, tales harrowing, tales humorous, tales told with vitality and passion and intelligence.” All that is abundantly evident in the editors’ choices. The inaugural piece, by the Egyptian writer Leila Aboulela, mirrors her own life as an immigrant to Scotland. Shadia, a young woman, has fallen behind in a statistics class and asks a Scottish classmate for his notes: “Her ignorance and the impending exams were horrors she wanted to escape,” Aboulela writes, but at the price of striking up a conversation with a man who has a disagreeable ponytail and earring: “The whole of him was pathetic,” she sniffs, and even when the young man, barely comprehensible because of his accent, expresses an interest in Islam (“Ah wouldnae mind travelling to Mecca), she can find no bridge to him. Other pieces speak to the difficulty of crossing cultures, the Nigerian writer Rotimi Babatunde’s “Bombay’s Republic” being a sidelong case in point: A Nigerian soldier finds himself fighting the Japanese in Burma, save that the enemy has vanished because the British have put out the word that “the Africans are coming and that they eat people,” a calumny that demands a response—and finds one when he returns to his homeland. All the stories are excellent, but some are especially memorable, among them Henrietta Rose-Innes’ “Poison,” the 2008 winner, which presciently speaks of an environmental apocalypse that finds the sun over Cape Town “a pink bleached disk, like the moon of a different planet.”
Essential for students of contemporary world literature.Pub Date: March 23, 2020
ISBN: 978-1-62371-935-7
Page Count: 240
Publisher: Interlink
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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