A profile of the early life of a 19th-century musical prodigy.
As a child, Amy Cheney Beach (1867-1944) hummed in perfect pitch and sang an entire anthem at age 2 to amazed family and friends. Ironically, her music-teacher mother, who had “strong religious beliefs” and didn’t want her child drawing attention to herself, was one of her biggest obstacles to progress. DeLems presents the ongoing battle and the child’s perseverance with an abundance of strong verbs: Aunt Franc, who ultimately intervened, “plopped” the 4-year-old on the piano bench. “Mama objected. Aunt Franc persisted. And Amy pounced into action.” Three original waltzes flowed out. Jay’s New Hampshire landscapes channel Grant Wood’s painting The Midnight Ride of Paul Revere, with its saltbox homes and curving pathways. The crackle varnish on her oil compositions lends an aged appearance appropriate to the subject. Jay creates energy and interest by displaying classical composers dancing through the sheet music as Amy practices and Mother Goose characters skipping through dynamic musical staves as the girl composes her own melodies for the nursery rhymes. Readers see multiple images of her beautifully poised hands as she plays at her Boston Music Hall debut, indicating the fullness of her sound. The narrative concludes with that performance at age 16, but extensive backmatter covers the rest of her life. Amy was White, as are most of the characters depicted. (This book was reviewed digitally.)
Carefully chosen details paint a portrait of a remarkable young person.
(author’s note, photographs, timeline, glossary, bibliography, websites, places to visit, picture credits) (Picture-book biography. 5-10)