Written in lyrical and propulsive prose, a searing debut.
A riveting love story that celebrates the cultural significance of Black artists and examines the ways systemic racism figures into every aspect of the lives of young Black men.
A photographer in his early 20s meets his friend Samuel for drinks at a pub in southeast London and finds himself instantly attracted to Samuel’s girlfriend, a dancer and university student. These two unnamed figures—the book employs an unusual second-person narration, addressing the photographer as "you"—find their lives entangled almost immediately. Both know what it means to be young and Black in London, having won scholarships to attend elite private schools where they felt constantly out of place and now attempting to navigate artistic paths. The relationship becomes increasingly intimate as a jealous Samuel breaks up with the young woman, and the unnamed two collaborate on a photography project, capturing portraits of Black Londoners. Though they dance around the question of love, they find themselves spending days on end with each other, and he begins to spend more and more nights at the flat she shares with her mother, at first on the couch and eventually in her bed. As the two negotiate what it means to turn a strong and invaluable friendship into a relationship, he finds himself unable to articulate his fears and traumas to her, withdrawing in order to process memories of racial violence and police brutality, either witnessed or experienced firsthand. Black art becomes both balm and mirror for the photographer as he by turns hides from and wrestles with questions that may determine the course of his relationship: How can you find sanctuary in love when systemic forces seem determinedly against you? And how do you express vulnerability and fear when you are socialized to bottle up your emotions, to present a mask of strength?
Written in lyrical and propulsive prose, a searing debut.Pub Date: April 13, 2021
ISBN: 978-0-8021-5794-2
Page Count: 160
Publisher: Black Cat/Grove
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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