by Calla Henkel ‧ RELEASE DATE: Feb. 1, 2022
Absorbing and electric.
Two women escape the mundanity of their New York City college lives to reinvent themselves in Berlin, leading to unexpectedly dark consequences.
At the end of their sophomore year, Zoe Beech and Hailey Mader are both ready to escape New York and the hypercompetitive culture of their art college, where the irreverent “sculpture bros” are universally worshiped and “the easiest way to dismiss a female’s work [is] by calling it domestic.” Zoe, though, is also spurred by a darker reason: the recent murder of her best friend, Ivy Noble, who’d been a dancer at Juilliard. Once at a study abroad program in Berlin, Zoe quickly grows close with her classmate Hailey, the magnetic, brazen daughter of a Midwestern supermarket-chain mogul. The two navigate their way through dark and isolating Berlin, waiting in hundred-person lines for exclusive clubs, attending insular gallery shows and art classes with fossilized professors, always slightly removed from the heart of the city’s social scene. Things shift, though, when they begin subletting an apartment from a creepy, enigmatic duo: Beatrice Becks, a helmet-haired mystery novelist, and her mother, Janet. In the perpetually dark apartment, the two become fixated with Beatrice; the more they sift through her “tax filings, photo albums and letters,” the more unsettlingly present she feels. As Zoe and Hailey compete socially and stumble their way through drug-filled parties wearing elaborate vintage costumes, they aim to live out the increasingly risky, brightly colored nights of their dreams, fueled by Hailey’s dictum that “art is what you can get away with,” no matter the cost. Henkel masterfully brings every inch of Hailey and Zoe’s world to life with her live-wire prose: German, for instance, sounds as violent as “a car being compressed into a cube.” But what truly pushes the plot forward is the obsessive, psychologically damaging friendship between Zoe and Hailey, which slowly leads them from a cocoon of insulated partying to a state of real danger: a finely negotiated shift. Though the book’s middle grows a little long and unwieldy, its specter of mystery is tantalizing and will keep readers captive till the final page.
Absorbing and electric.Pub Date: Feb. 1, 2022
ISBN: 978-0-385-54735-2
Page Count: 320
Publisher: Doubleday
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Ruth Ware ‧ RELEASE DATE: July 8, 2025
An enjoyable visit with an old character, but not one of Ware’s strongest.
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New York Times Bestseller
Travel writer Lo Blacklock is back. Ten years after the events of The Woman in Cabin 10 (2016), she's attending the opening of a lavish Swiss hotel when, once again, a mystery intervenes.
A decade after she almost died on a luxury cruise and ended up exposing a murder plot, travel journalist Laura “Lo” Blacklock is trying to get back into the business post-Covid-19 and post–maternity leave. When she's invited to an exclusive hotel launch by the Leidmann Group on the shores of Switzerland’s gorgeous Lake Geneva, her supportive husband, Judah, insists that she should go, and her old boss, Rowan, says that if Lo can score an interview with the reclusive Marcus Leidmann, she’ll publish it in the Financial Times. Leaving Judah and the kids at home in New York, Lo is surprised by a last-minute upgrade to first class, which kicks off her trip in style. The hotel is appropriately awe-inspiring in both scenic location and effortless luxury, and Lo starts to put the memories of last trip’s trauma behind her, thinking that maybe she can just enjoy the experience this time. But then, at dinner, she's surprised to see at least three guests who were also on that original cruise, and when she finds a mysterious note in her room saying "Please come to suite 11 as soon as possible," she gets another shock. To quote William Faulkner, she realizes that “the past is never dead,” and soon Lo is careening across Europe on her way to England, only to find herself embroiled in another murder. The back half of the novel offers her the opportunity to continue her amateur sleuthing, and while she avoids much of the physical danger that plagued her on the cruise a decade ago, she is in very real legal trouble. This is the prolific Ware’s first sequel, and it's fun to spend time with Lo again, as she's both savvy and kindhearted. Unfortunately, the mystery is not as atmospheric and gripping as usual for Ware, though even a lesser Ruth Ware thriller is still worth reading.
An enjoyable visit with an old character, but not one of Ware’s strongest.Pub Date: July 8, 2025
ISBN: 9781668025628
Page Count: 400
Publisher: Scout Press/Simon & Schuster
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
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