A brilliant compilation.
An invaluable collection of observations about journalism authored by a beloved American reporter and humorist.
Best known as a veteran staff writer for the New Yorker, Trillin gathers columns, long-form pieces, and vignettes about the mechanics and practices of the American press and its subjects, yielded from his six decades in the profession, during which he also worked as a correspondent and columnist for outlets such as Time, the Nation, and Brill's Content. His profile of the late New York Times journalist R.W. "Johnny" Apple Jr. is as expansive and thorough as Apple himself (“his form reflects the eating habits of someone who has been called Three Lunches Apple, a nickname he likes”). Trillin’s pieces, which range appealingly, include a 1986 profile of the incomparable Miami Herald police reporter Edna Buchanan; an absorbing account of the mysterious circumstances surrounding the disappearance and murder of a scion of a prominent family in Savannah, Georgia; an explanation of how Texas Monthly magazine selected the state's best BBQ joints in 2008; and a poem about Al Gore's weight gain. Much of this book is hilarious, and it seems impossible to suppress a grin even when reading essays about the most serious of subjects, particularly Trillin’s elegant tributes to fallen colleagues and friends like Molly Ivins, Russell Baker, and Morley Safer. The author saves his best for last: a piece about the commemorations of the Freedom Rides in the South in 1961, which he covered when Atlanta bureau chief for Time. Trillin’s writing about the various people who marked the anniversary is the author at his finest, mixing his wit, sharp observational powers and recall, reporting skills, and poignancy. This book should be savored by admirers, critics, and practitioners of journalism and journalists, as well as anyone who appreciates first-rate writing, humor, and engaging reporting.
A brilliant compilation.Pub Date: Feb. 13, 2024
ISBN: 9780593596449
Page Count: 336
Publisher: Random House
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
