The prolific New Yorker journalist and gourmand collects the best from the last four years of his syndicated column—a healthy dose of common sense and amiable cynicism. A Kansas City native, Trillin (Deadline Poet, 1994, etc.) smartly balances midwestern aw-shucks shtick with his cracker- barrel wise-guy persona. After warning readers not to take him too seriously, Trillin saves his harshest words for overpaid CEOs, real estate sharks, Eurotrash, the book publishing biz, the NRA, and Ronald Reagan, whose memoirs mark a triumph of history as spin control. A congenial curmudgeon, Trillin enjoys being too old to appreciate aspects of youth culture. His loyalty to the defunct minor league team from his hometown (the Kansas City Blues) is just one of his quirky pleasures, along with ``Gunga Din'' and imitating a dog's bark. Trillin delights in America at its wackiest, from the tic-tac-toe-playing chicken in NYC's Chinatown to medieval jousting restaurants in central Florida. He's always good for lots of domestic laughs as well, especially the mixed joys of living in a female-dominated household presided over by the ever-sensible Alice. He even has a soft spot for hapless George Bush, a man out of step with the times. No slouch when it comes to the failures of Bill Clinton, Trillin continues to be ``blindsided by the truth'' (i.e., reality is stranger than invention). In a crunch, the peripatetic columnist relies on weird news items from around the world, such as China's claim to have invented golf, or the story of a young man in Thailand who refused to leave his room for 22 years because his parents wouldn't buy him a motorcycle. Like any journalist worth his salt, Trillin thrills to the vagaries of language itself, especially slang and euphemism. The perfect antidote to the smirky, mean-spirited humor so popular these days. (author tour)
Pub Date: June 1, 1995
ISBN: 0-374-27846-6
Page Count: 220
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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