by Cameron McWhirter & Zusha Elinson ‧ RELEASE DATE: Sept. 26, 2023
A riveting exploration of the cost of the nation’s fascination with an iconic weapon.
How an influential gun design became central to debates over Second Amendment rights.
In this superb history of an innovative weapon, McWhirter and Elinson, who both cover the gun industry for the Wall Street Journal, track the invention of the AR-15 rifle in the 1950s, adoption by the American military in the 1960s (where it was known as the M16), and gradual rise to notoriety toward the end of the 20th century and into the 21st as it became, in the semiautomatic form in which it was sold to the public, a favored choice of mass shooters. The authors begin with an exploration of the life and career of Eugene Stoner (1922-1997), a gifted engineer who sought to create a weapon superior to those used by American soldiers in World War II. The authors then give insightful commentary on the evolution of Stoner’s signature creation, disastrous deployment in Vietnam after ill-considered modifications, slow introduction to civilian gun aficionados and gradually rising profile in pop culture, provocation of outrage after being used in notorious crimes, and eventual transformation into a symbol of freedom embraced by the National Rifle Association and hard-line gun-rights advocates. This is a meticulously researched and impressively informed book; despite careful explanations of technical details, the narrative moves along briskly and engagingly. Furthermore, McWhirter and Elinson clearly and fairly handle the sometimes-complex motivations of those seeking to promote the AR-15 along with the frequently base impulses of those looking to profit without moral concern. What emerges, too, through accounts of individuals who have fallen victim to gun violence, is a harrowing sense of the enormous suffering wrought by this invention and the seemingly insurmountable political resistance to mitigating it in any significant way. Ultimately, readers gain an unsettling and timely understanding of how “a device created to protect America [is] wounding it.”
A riveting exploration of the cost of the nation’s fascination with an iconic weapon.Pub Date: Sept. 26, 2023
ISBN: 9780374103859
Page Count: 496
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 15, 2023
Kirkus Reviews Issue: July 15, 2023
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PERSPECTIVES
PERSPECTIVES
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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