by Cameron McWhirter ‧ RELEASE DATE: July 5, 2011
Masterly examination of the widespread outbreak of racially motivated mob violence in the summer of 1919.
In his debut, Wall Street Journal staff reporter McWhirter describes in gripping detail a wave of incidents of mob violence that erupted across America in the summer following the end of World War I. Chicago, Washington and Knoxville became battlegrounds, and in Omaha the mob sacked the county courthouse and nearly hanged the mayor. The Tuskegee Institute recorded 83 lynchings during the year, a record that still stands. The federal government did nothing; the Justice Department, led by the red-baiting Attorney General Alexander Mitchell Palmer, attributed the violence to radical agitators among black workers. As McWhirter skillfully demonstrates, the true causes of the violence were complex, arising in part from social dislocations resulting from the “Great Migration” of Southern blacks to northern cities in search of industrial jobs, a trend that exacerbated racial animosities in volatile societies that were often already ethnically fragmented. Lynchings and race riots had occurred throughout American history, but in 1919 white thugs encountered something new—the nation’s black communities now included soldiers returned from France who were determined to resist mob violence by force of arms. Their efforts were supported by black civic leaders like James Weldon Johnson, Walter White and W.E.B. Du Bois of the NAACP, who pressed for justice for the rioters’ victims in the press, the courts and Congress, and thereby established their burgeoning organization as the preeminent group advocating for black rights. In this new spirit of resistance, McWhirter sees “the start of a process—a great dismantling of institutional prejudice and inequity that marred American society.” Throughout the book, the author writes with professional detachment, permitting his subjects’ words and deeds to speak eloquently for themselves, amplified by liberal quotation from the vibrant black press of the period. An unsettling reminder of the cruelty and hatred that can lie beneath the surface of a nation formally committed to equal justice for all, but also a monument to the suffering and perseverance of a people at last determined to demand rights promised but too long denied.
Pub Date: July 5, 2011
ISBN: 978-0-8050-8906-6
Page Count: 368
Publisher: Henry Holt
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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