An adequate thriller, though without Larsson’s deft touches; sure to please church-hating readers of the Hitchens-Dawkins...
More nasty Baltic hijinks from Swedish mysterian Läckberg (The Ice Princess, 2010, etc.), one of several heirs apparent to Stieg Larsson.
If you think that a bicycle trip into the Swedish woods is a pleasant way to take a vacation, you’d certainly almost always be right. It’s just that statistical blip that’ll get you, and then, like the victims of an unknown killer in the precincts of the hick town of Fjallbacka, you wind up dead. Like Larsson, Läckberg delights in peeling the scrubbed white pine veneer off Swedish society and showing the wormy nastiness that lies beneath it. She acquaints us at the outset with a pair of hillbilly rednecks—yes, Sweden has them—who live like fat and happy parasites on vacationers from the big city, the matriarch of the family a former beauty who has now become morbidly obese and sharp-tongued. The two seem an ideal clutch to dig up a few skeletons and drape freshly dead young women atop them for entertainments too foul to tell, but then that wouldn’t be much of a story, not when there are fatter fish to fry still, among them members of a weird religious sect and their outwardly respectable leader. Well, any reader of mysteries knows that behind every respectable Bible-thumper lies a psycho, but also that behind every red-letter Bible lies a red herring. Caught up in all the brouhaha is police detective Patrik Hedstrom, who has been looking forward to family-values time with pregnant girlfriend Erica but who is now eaten up, in patented Swedish angst worthy of a Bergman flick, by the thought of a world in which terrible things happen to nice people. But is all that nastiness really enough to make Hedstrom talk like Barney Fife (“The whole Hult family feels like a hornets' nest," nudge, nudge)? It’s enough to make the reader suspect that the translator is hatching plots of his own, though it could be that Patrik really is a stiff among stiffs, if not a sheep among religious crazoids.
An adequate thriller, though without Larsson’s deft touches; sure to please church-hating readers of the Hitchens-Dawkins set.Pub Date: May 15, 2011
ISBN: 978-1-60598-173-4
Page Count: 432
Publisher: Pegasus
Review Posted Online: April 6, 2011
Kirkus Reviews Issue: March 15, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
