An enchanting romp sure to inspire reenactments with lucky stuffed or real animals.
Who doesn’t like to imagine the secret nocturnal celebrations of forest creatures?
This translation of a French Canadian title opens with the coolness of stylized woodland greenery giving way to the heat of a brilliant orange fireball setting in the sky. Five gray rabbits emerge from their home, each with a backpack that cannot quite contain what looks like a puff of blue cotton candy. The majority of the compositions fill the double-page spreads except for a white border at the bottom where the minimal text often encourages engagement: “Where are they going?” Later: “What are they making?” The blue fluff surrounds small balls of light that are dropped into an underground factory, where a conveyor belt transports them for finishing touches. Bunnies in hard hats using tools or consulting sky charts create a productive atmosphere. In another section they operate a printing press, churning out papers that read “Full Moon.” These quietly joyful animals are ones you want to know. Invitations are delivered to the birds, mice, foxes—all are welcome. When everyone is assembled and the moon rises, the small, blue-and-white lanterns float upward from holes in the earth; birds break into song. Friendly faces, luscious forest backdrops, and dazzling points of light dancing around a glowing moon cast a magical aura over the moment. As a new day dawns, readers are summoned to the next party.
An enchanting romp sure to inspire reenactments with lucky stuffed or real animals. (Picture book. 3-6)Pub Date: April 27, 2021
ISBN: 978-1-61689-999-8
Page Count: 48
Publisher: Princeton Architectural Press
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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