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THE LOST VILLAGE

A memorably creepy newcomer to the crowded field of Nordic noir that’s worth a miniseries itself.

An aspiring TV producer and her skeletal crew of four head deep into the Swedish hinterland to make an underfunded documentary series about a village that vanished overnight 60 years ago. What could possibly go wrong?

One day in 1959, Silvertjärn was a mining village of 887 inhabitants. The next day, its population was down to two: Birgitta Lidman, bound to a post and stoned to death in the town square, and a baby girl left in a schoolroom. Alice Lindstedt has been haunted all her life by the mystery of the vanished citizens, whose numbers included her grandmother, retired nurse Margareta, and most of her relatives. In the years since, there have been remarkably few clues. The infant, adopted long ago by a couple who raised her as Hélène Grimelund, knew nothing about the fate of her birthplace, but now Alice, who’s fought through poverty, temp jobs, and clinical depression, is resolved that “The Lost Village is my ticket out of all that.” Things go badly from the beginning. Co-producer Tone Grimelund sprains her ankle while she’s exploring one of the deserted houses and then disappears herself. Someone sets the crew’s vans on fire, and Alice’s college friend Emmy Abrahamsson, cameraman Robert, and financial backer Max eye each other warily even as they agree that the culprit must have been someone else. All the while, debut novelist Sten is counterpointing their adventures with a series of flashbacks to 1959, bringing Silvertjärn closer and closer to the brink of annihilation.

A memorably creepy newcomer to the crowded field of Nordic noir that’s worth a miniseries itself.

Pub Date: March 23, 2021

ISBN: 978-1-2502-4925-8

Page Count: 352

Publisher: Minotaur

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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DON'T LET HIM IN

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

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Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.

Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

Pub Date: June 24, 2025

ISBN: 9781668033876

Page Count: 384

Publisher: Atria

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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