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GOOD AS GOLD

A riveting examination of power and the importance of history.

While trying to save her family, a Black girl tugs on a string that will unravel her small town and the lies that built it.

Casey Whitecroft’s life has been going downhill since the failure of her father’s business and their subsequent decline in social status. Formerly part of the “charmies”—a subset of the rich, primarily White people in their small town of Langston, Georgia—she is now one of the “downstreamers.” Her demoralized father won’t leave the house, her mother is constantly angry, and her sister, a Spelman College junior, is keeping her distance—leaving Casey with few options as she adjusts to her new reality. When they face losing their home, Casey reaches out to attractive co-worker Tanner for help selling her last remaining valuables at his parents’ pawn shop. In the process, she discovers a rust-covered coin she picked up in the local lake may matter more than she thought and may lead to discovering secrets behind Langston’s legend of buried treasure. However, Casey and Tanner aren’t the only ones searching for the treasure—and they are in real danger. The closer they get to the truth, the more they uncover about Langston’s founding. This thrilling coming-of-age story unfolds briskly, keeping readers engaged in the details of the 100-year-old mystery. Through her multiracial cast of characters, Buford examines the impacts of racism and revisionist history through the generations.

A riveting examination of power and the importance of history. (Mystery. 13-18)

Pub Date: June 6, 2023

ISBN: 9781368090254

Page Count: 320

Publisher: Disney-Hyperion

Review Posted Online: March 28, 2023

Kirkus Reviews Issue: April 15, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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