by Candace Bushnell ‧ RELEASE DATE: Sept. 20, 2000
Like a Bushnell character: glittery and irresistible but, likewise, ultimately unsatisfying.
From the writer of the original Sex and the City (1996), the source of the HBO series, four loosely linked stories (being marketed as a novel) about the glamorous exteriors and unfulfilled interiors of high-status, no-longer-young New Yorkers.
Starting with her New York Observer columns, Bushnell has chronicled the romantic plights of 30-ish women who look like they have everything, and spend their time trying to believe it. Here, she does a fine job of sketching her characters and portraying, both satirically and realistically, their elite social ecology (with enough of a roman à clef feel to get people talking), but the longer pieces call for greater narrative skills than Bushnell's able to muster. In “Nice N’Easy,” beautiful, cynical, gold-digger Janey Wilcox (whose situation strikingly parallels Lily Bart’s in The House of Mirth) has traded in her looks and the semi-celebrity of a once-promising modeling/acting career for a string of wealthy, unpleasant, summer boyfriends, tolerated for their luxurious Hamptons houses. A bid for independence (her own summer rental, paid for by a married Hollywood mogul plus an attempt at writing) fails, but an unexpected contract as a Victoria’s Secret model puts her back on top, and enables her to buy her own house. Likewise, in the amusing but slight “Crossing the Pond,” a blond, 40-ish, New York sex columnist travels to London in search of a husband, and leaves disappointed, only to find herself on the flight home seated next to the man she’s been looking. In grimmer scenarios, “Highlights (For Adults),” a driven, tightly wound journalist considers leaving her disappointing, less ambitious husband but, instead, both have flings and regroup; and in “Snow Angels,” Cecilia—part Princess Grace, part Princess Di—falls apart in New York and Cannes, abetted by her dangerous, Courtney Love–like, new best friend.
Like a Bushnell character: glittery and irresistible but, likewise, ultimately unsatisfying.Pub Date: Sept. 20, 2000
ISBN: 0-87113-819-0
Page Count: 256
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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