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SEX AND THE CITY

Often funny and occasionally bleak, this is a captivating look at the "Age of Un-Innocence,'' in a city in which the...

Fascinating and haunting insights into the love lives of the rich and randy in New York.

Bushnell has gleaned pieces from her popular New York Observer column and combined them into an oddly touching collection. While the privileged, beautiful, pony-skin-boot-wearing folk she reports on seem ripe for parody, Bushnell has chosen to humanize them. The earlier articles feature Bushnell herself; she wisely removes herself from the later pieces, writing with the detached grace of an early Didion, and allows her friend (and alter ego?) Carrie to do the reporting. In one story, Carrie and her friends journey to Connecticut's wealthy suburbs to attend a wedding shower, complaining all the way. Bushnell perfectly captures the poignant moment when the New York group, glossy and single, realize that they are in fact jealous of their settled friend. The realization leads to a series of confessions: One woman nervously admits that she broke her ankle while rollerblading in an attempt to impress the younger man she was dating. Many of these pieces focus on the rise and fall of Carrie's relationship with "Mr. Big,'' who is a better date than most of the model-obsessed men she meets, but who is a "toxic bachelor'' (unappreciative, self-centered, allergic to commitment) all the same. Bushnell's point, at its simplest level, is that what the glamorous women she writes about really want is a husband. But her writing is more sensitive than that, subtly catching the ways in which, beneath the veneer of Manolo Blahnik shoes and the eternal round of parties and the late nights at trendy bars, New York is a cruel place for smart, older women. Whatever lip service their male peers pay to equality, what men want is perpetual youth.

Often funny and occasionally bleak, this is a captivating look at the "Age of Un-Innocence,'' in a city in which the glittering diversions don't quite make up for the fact that "Cupid has flown the coop.''

Pub Date: Aug. 1, 1996

ISBN: 0-87113-642-2

Page Count: 208

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1996

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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