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STRONGHEART

WONDER DOG OF THE SILVER SCREEN

A touching, playful, and satisfying tale of a silver-screen wonder dog.

Before Rin Tin Tin and Lassie there was Strongheart, the first canine movie star, whose real-life career serves as the basis of this fast-paced, dramatic story from Fleming and Rohmann.

In the silent-film era of the 1920s, director Larry Trimble decides his next big movie star will be a dog and in Berlin finds what he is looking for: a thoroughly trained, 3-year-old, male German shepherd with a fierce disposition named Etzel. Renamed Strongheart, Trimble’s find becomes an instant superstar with the release of his first film, The Silent Call, in 1921. Strongheart has an off-screen romance with his leading lady in the appropriately titled The Love Master, resulting in a litter of puppies. The climax of the story is a dramatic courtroom trial in which Strongheart stands accused of attacking and killing 6-year-old Sofie Bedard, but boys from an orphanage produce Sofie in court at the last moment. Strongheart is vindicated when it’s discovered Sofie’s parents orchestrated her disappearance for an extortion scheme. Like a silent movie plot, Fleming’s narrative is full of adventure, romance, and suspense. An author’s note explains the facts behind the story. Rohmann’s expressive illustrations beautifully capture Strongheart’s personality; their integration into the book’s design is striking. Particularly notable are three two-page spreads depicting the dog contemplating and then stealing a doughnut.

A touching, playful, and satisfying tale of a silver-screen wonder dog. (photos, bibliography, notes) (Historical fiction. 8-12)

Pub Date: Feb. 6, 2018

ISBN: 978-1-101-93410-4

Page Count: 256

Publisher: Schwartz & Wade/Random

Review Posted Online: Oct. 15, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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1001 BEES

Friends of these pollinators will be best served elsewhere.

This book is buzzing with trivia.

Follow a swarm of bees as they leave a beekeeper’s apiary in search of a new home. As the scout bees traverse the fields, readers are provided with a potpourri of facts and statements about bees. The information is scattered—much like the scout bees—and as a result, both the nominal plot and informational content are tissue-thin. There are some interesting facts throughout the book, but many pieces of trivia are too, well trivial, to prove useful. For example, as the bees travel, readers learn that “onion flowers are round and fluffy” and “fennel is a plant that is used in cooking.” Other facts are oversimplified and as a result are not accurate. For example, monofloral honey is defined as “made by bees who visit just one kind of flower” with no acknowledgment of the fact that bees may range widely, and swarm activity is described as a springtime event, when it can also occur in summer and early fall. The information in the book, such as species identification and measurement units, is directed toward British readers. The flat, thin-lined artwork does little to enhance the story, but an “I spy” game challenging readers to find a specific bee throughout is amusing.

Friends of these pollinators will be best served elsewhere. (Informational picture book. 8-10)

Pub Date: May 18, 2021

ISBN: 978-0-500-65265-7

Page Count: 32

Publisher: Thames & Hudson

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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THE BIG BOOK OF BIRDS

Pretty but insubstantial.

Zommer surveys various bird species from around the world in this oversized (almost 14 inches tall tall) volume.

While exuberantly presented, the information is not uniformly expressed from bird to bird, which in the best cases will lead readers to seek out additional information and in the worst cases will lead to frustration. For example, on spreads that feature multiple species, the birds are not labeled. This happens again later when the author presents facts about eggs: Readers learn about camouflaged eggs, but the specific eggs are not identified, making further study extremely difficult. Other facts are misleading: A spread on “city birds” informs readers that “peregrine falcons nest on skyscrapers in New York City”—but they also nest in other large cities. In a sexist note, a peahen is identified as “unlucky” because she “has drab brown feathers” instead of flashy ones like the peacock’s. Illustrations are colorful and mostly identifiable but stylized; Zommer depicts his birds with both eyes visible at all times, even when the bird is in profile. The primary audience for the book appears to be British, as some spreads focus on European birds over their North American counterparts, such as the mute swan versus the trumpeter swan and the European robin versus the American robin. The backmatter, a seven-word glossary and an index, doesn’t provide readers with much support.

Pretty but insubstantial. (Nonfiction. 8-12)

Pub Date: June 4, 2019

ISBN: 978-0-500-65151-3

Page Count: 64

Publisher: Thames & Hudson

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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