adapted by Candace Fleming & illustrated by Robert Andrew Parker ‧ RELEASE DATE: March 1, 1998
Thomas Jefferson was feeling stung. The Continental Congress was demanding that he rewrite sections of his Declaration of Independence. Replace this, cut that, the delegates urged. Smoldering, Jefferson took a seat: ``I thought my words were perfect just the way they were,'' he muttered. Hoping to soothe his friend, Ben Franklin quietly told him the parable of the hatmaker, who had designed a sign for his shop: ``John Thompson, Hatmaker, Fashionable Hats Sold Inside for Ready Money.'' After his wife, Hannah, suggests one phrase be deleted, Thompson shows his revised design to others, each of whom has another cut to suggest. Thompson appears at the signmaker's shop with a blank piece of paper. Puzzled, the signmaker suggests: ``John Thompson, Hatmaker, Fashionable Hats Sold Inside for Ready Money.'' ``So you see, Tom,'' concluded Ben. ``No matter what you write, or how well you write it, if the public is going to read it, you can be sure they will want to change it.'' Grander than the story itself is its basis in real events, and Fleming (Gabriella's Song, 1997, etc.) fleshes out the particulars in an excellent author's note. Adding considerably to the charm of the book are Parker's ink-and-watercolor illustrations, with a sketched, fleeting quality that seems to summon the events from history and renders them with immediacy. (Picture book. 5-9)
Pub Date: March 1, 1998
ISBN: 0-531-30075-7
Page Count: 40
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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