DRAGONFLY EYES

A transnational family navigates life in early- to mid-20th-century China.

This atmospheric work translated from the Chinese renders the trials and tribulations befalling the family of Du Meixi, scion of a Shanghainese silk empire, and his French wife, Océane, whom he meets in Marseilles in 1925. Referencing antique glass beads called dragonfly eyes that become prized family heirlooms, the title doubles as a metaphor for the multiplicity of the characters’ lived experiences. The omniscient narration is anchored in Océane’s character, alternating between her perspective and that of Ah Mei, her favorite and youngest grandchild, the only girl, and the one who most resembles her Nainai, or paternal grandmother. By turns sentimental and tragic, the plot juxtaposes quotidian details against factual historical background, including Japan’s 1937 invasion of China, in illustrating the family’s plight. In the 1950s, a famine affects people across China; the Du family experiences scarcity in part through fewer visits to the neighborhood patisserie, a dwindling supply of coffee beans, and having to dismiss most of their beloved, long-serving household staff. During the Cultural Revolution, Océane, highly acculturated and fluent in Shanghainese but nevertheless perceived as foreign, is persecuted as a spy along with her capitalist spouse. Recurring commentary by Chinese characters on Océane’s blue eyes and her grandchildren’s mixed-race appearances—while realistic in the original context—is not given much context and may benefit from discussion with younger readers.

Readers experience decades of tumultuous history through multiple generations of one family.