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FEATHER

This Zen exploration of belonging and groundedness is further enhanced by a sensitive translation and pithy, philosophical...

In this first collaboration between Chinese author Cao and Brazilian artist Mello—both of whom are recent Hans Christian Andersen award winners—a feather embarks on a quest to discover to whom she belongs.

From a kingfisher and cuckoo to wild geese and a peacock, the birds universally ignore Feather at first but ultimately convey the same message: she does not belong to them. The protagonist believes that finding her bird of origin will enable her to fly even higher, so she continues the journey. The creatures have distinctive voices, and the compositions fuse a sense of Asian design with a South American palette. Each bird takes center stage on the double-page spreads, a marvel of extravagant pattern against solid, vibrant backgrounds. Pottery and natural features provide occasional context. The feather is an abstract silhouette on the right border of each scene. At the climax, a kindly skylark lifts Feather to new heights but falls prey, alas, to a circling hawk. (The demise occurs offstage.) Devastated, Feather floats to Earth, where she eventually spots a parade of chicks marching into the sunshine; mother hen is missing a feather. The author wisely allows readers to ponder a potential conversation and next steps.

This Zen exploration of belonging and groundedness is further enhanced by a sensitive translation and pithy, philosophical introductions by both creators—masterful storytelling. (Picture book. 5-8)

Pub Date: Sept. 19, 2017

ISBN: 978-0-914671-85-5

Page Count: 48

Publisher: Elsewhere Editions

Review Posted Online: June 18, 2017

Kirkus Reviews Issue: July 1, 2017

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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