A slice of urban life is cheerfully portrayed in this colorfully illustrated, first-person account of an ill-fated day trip to the beach. The second book inspired by Best’s own grandmother again reveals “Catherine’s” irrepressible spirit: the rest of the family is discouraged by the heat, the traffic, and a breakdown, but Grandma says “Nyet!” to the suggestion they turn around and go home. Readers can practically feel the relief as the family arrives at the beach near six in the evening, and Sara and Grandma finally get to cool off in the Atlantic. Potter’s soft, bright paintings feature stylized figures reminiscent of folk art that reinforce the nostalgic feel of the text, although the characters’ facial expressions, particularly the sideways smile found often in Potter’s illustrations, seem a bit awkward. The theme of intergenerational love is strong here, as Grandma teaches Sara to float on her back “like a flower” in the aqua ocean. (Picture book. 4-8)
Pub Date: Aug. 6, 2003
ISBN: 0-374-39954-9
Page Count: 32
Publisher: Melanie Kroupa/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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