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THE PORRIDGE POT

A newly translated 19th-century German tale features intriguing illustrations. Carls uses a richly detailed palette and clay sculptures for her figures. This makes for a surreal hyper-reality and dreamy textures for both color and form. In the story, a miller’s wife makes the last of their food into porridge, but when her husband tries to steal a taste, she runs from him with the full pot. Their daughter chases after them but loses a shoe. An old woman comforts the girl and sends her to a palace and tells her what to choose from the clothing offered. When she and the young prince (both are about 12) are about to wed, the old woman appears again and supplies the girl with a palace of her own. Into the merrymaking come the girl’s parents, still running, but they join the feast and all the guests eat a spoonful from the porridge pot and get a wish, as it turns out to be magic. The prince and princess have each other, however, and “that was all they could wish for.” It’s all a bit strange, but very traditional and the pictures will attract older readers who will enjoy the Puss-in-Boots overtones. (Folktale. 7-10)

Pub Date: Sept. 1, 2007

ISBN: 978-0-698-40073-3

Page Count: 32

Publisher: Minedition/Penguin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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JUDY MOODY SAVES THE WORLD!

McDonald’s irrepressible third-grader (Judy Moody Gets Famous, 2001, etc.) takes a few false steps before hitting full stride. This time, not only has her genius little brother Stink submitted a competing entry in the Crazy Strips Band-Aid design contest, but in the wake of her science teacher’s heads-up about rainforest destruction and endangered animals, she sees every member of her family using rainforest products. It’s all more than enough to put her in a Mood, which gets her in trouble at home for letting Stink’s pet toad, Toady, go free, and at school for surreptitiously collecting all the pencils (made from rainforest cedar) in class. And to top it off, Stink’s Crazy Strips entry wins a prize, while she gets . . . a certificate. Chronicled amusingly in Reynolds’s frequent ink-and-tea drawings, Judy goes from pillar to post—but she justifies the pencil caper convincingly enough to spark a bottle drive that nets her and her classmates not only a hundred seedling trees for Costa Rica, but the coveted school Giraffe Award (given to those who stick their necks out), along with T-shirts and ice cream coupons. Judy’s growing corps of fans will crow “Rare!” right along with her. (Fiction. 8-10)

Pub Date: Aug. 1, 2002

ISBN: 0-7636-1446-7

Page Count: 160

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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