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KICK ASS

SELECTED COLUMNS OF CARL HIAASEN

A public service to his many fans, this compendium of Miami Herald columns by best-selling novelist Carl Hiaasen (Lucky You, 1997, etc.) reveals an angry, alert civic muckraker in the pugilistic vein of Mencken or Royko. Though best known for his ribald crime fiction, with its meticulous universe of South Florida idiocy and venal conspiracy, Hiaasen cut his teeth as an investigative reporter, and this spirit is strong in both his chosen subjects and his wry attention to unforgiving evidentiary detail. As editor Stevenson notes, the collection’s thrust, which she constructed by sifting through Hiaasen’s 1300-plus columns, was to present his advocacy of —realistic growth and decent government in Florida.— Along the way Hiaasen stops to gut innumerable big fish—crooked politicians, rogue cops, insensate tourists, swollen developers—within a rough chronology reaching back to the cocaine-crazed Reagan ’80s. Although Hiaasen is a truly funny writer, a stern moral compass lies beneath his slapstick. His quixotic outrage regarding the despoliation of his home state (cf. the columnist/terrorist of his Tourist Season, 1986) is as unforgiving as an Uzi, as authentic as a Waffle House breakfast. Hiaasen’s zestful attacks on Miami’s many embarrassing or indicted leaders end up addressing the threats posed, for instance, by the crash overpopulation of Florida, epitomized by the havoc wreaked by Hurricane Andrew upon shoddy developments, a dire issue that pro-business boosters (e.g., The Mouse) labor to minimize. But even the loopier pieces (tame dachshund-eating alligators, Geraldo Rivera’s faked drug raids) are informed by Hiaasen’s unforgiving focus upon the social rot beneath the zany facade. Such columns, like his fiction, reveal Hiaasen as a crystalline, pitiless seer of human weakness in much the same vein as his Floridian forbears, Charles Willeford and Harry Crews. Deeply satisfying, both for what it reveals of the serious priorities of a supposedly light novelist and for the outrageous epic of Florida profiteering and entropy within.

Pub Date: Nov. 1, 1999

ISBN: 0-8130-1717-3

Page Count: 448

Publisher: Univ. Press of Florida

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1999

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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