Will another unspoiled Florida island be turned into a paradise for golfers and crooked developers and politicians? Hiassen tells all in this hilariously barbed but rambling exposÇ. The richness of the satire is indicated by the fetishes given nearly every participant to the controversy over Shearwater (Toad) Island. Lobbyist Palmer Stoat lives to make deals, smoke cigars, and hunt the senile denizens of the local Wilderness Veldt Plantation. The pliant target of his latest campaign, Gov. Dick Artemus, still approaches every human relationship as another exercise in selling Toyotas. Hopeful Shearwater developer Robert Clapley, who never got over his adolescent attachment to Barbie dolls, is surgically enhancing a pair of willing young women to resemble twin Barbies. Clapley’s soft-spoken enforcer, Mr. Gash, collects recordings of 911 emergency calls. Twilly Spree, the angry young man who gives the novel its title, is a self-appointed nemesis to litterbugs like Palmer Stoat. It’s only Palmer’s long-suffering wife Desirata who escapes getting labeled by her hangup, and that’s because, like Palmer’s black Lab Boodle, whom Twilly kidnaps and renames McGuinn, she functions as a hangup herself for so many others. But though the inventive connections between fetishism and capitalism, lobbying and extortion, anger management and tyranny show Hiaasen the satirist—last glimpsed in the columns collected in Kick Ass (p. 1546)—at the top of his game, Hiaasen the novelist relies on too many coincidences, too shaggy a plot, and too many curtain calls for crazy sage Clinton Tyree (Stormy Weather, 1995, etc.), the one-eyed ex-governor/wild man who personifies everything the author only wishes were true of Florida politics. Not top-drawer Hiaasen, then, but its selling points do include much sex, none of it in the missionary position, and a detailed concluding account of the characters— later lives, in the manner of Dickens on ‘ludes.
Pub Date: Jan. 11, 2000
ISBN: 0-679-45445-4
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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