Minor’s signature watercolors, limpid and bright, make a visual hymn to the Midwest and thereby echo the poems of Carl Sandburg. These poems, replete with images of fields, frogs, horses, and harvests, are arranged roughly in order of early spring to late winter. The title poem, “Grassroots,” “puts fingers into the dark dirt” while a hawk flies over a field just turning golden under an opalescent sky. A two-page diptych called “Still Life” shows a steam train as it passes village, horses, and cows. For a snowman, the poem is “Metamorphosis”—“When water turns ice does it remember/one time it was water?/When ice turns back into water does it/remember it was ice?” The book closes with the beautiful “Red and White” (“O I have loved red roses and O I have loved white snow”) with an equally beautiful painting. An ode to a place, and a worthy introduction to Sandburg’s poetry. (Picture book/poetry. 6-11)
Pub Date: March 1, 1998
ISBN: 0-15-200082-8
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
BOOK REVIEW
BOOK REVIEW
Broad and subtle in turn—verse to stay with readers for years to come.
A tasty mix of visionary and nonsense verses, lavishly illustrated by a recent Caldecott Medalist.
Systematically gathered into seven loosely thematic groups, the poems, likewise tidy of rhyme and scansion, range from meditations on “Zero” and the many colors of the sky to silly wordplay (“What kind of pizza / do you like to eatsa?”) and a droll paean to pasta that rhymes spaghetti with yeti. The notion of flying away almost serves as a running theme; in various entries, a piñata, a child on “Jetpack Sneakers,” a breaching whale, and, for a moment, a boy waking to a sparrow’s song take off into the sky. Salati depicts a menagerie of creatures both real and imaginary that share space with a rich and racially diverse assortment of small figures who often resemble Maurice Sendak’s Nutshell Library outtakes for their large-headed, stubby-limbed looks and balletic poses. The entries are lighthearted overall; several read like nursery rhymes. Burgess displays a keen intuition for what will get kids laughing—and what will make them think. One poem, perhaps a reference to current politics, invites them to “leave the shouters with their schemes / while we continue with our dreams,” while another urges them to “live your dream / Reign supreme / King or queen / or something / delightfully / in between.”
Broad and subtle in turn—verse to stay with readers for years to come. (index) (Poetry. 7-11)Pub Date: March 18, 2025
ISBN: 9781774880289
Page Count: 128
Publisher: Tundra Books
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
A little girl is going with her daddy to visit the home of Langston Hughes. She too is a poet who writes about the loves of her life—her mommy and daddy, hip-hop, hopscotch, and double-dutch, but decidedly not kissing games. Langston is her inspiration because his poems make her “dreams run wild.” In simple, joyful verse Perdomo tells of this “Harlem girl” from “Harlem world” whose loving, supportive father tells her she is “Langston’s genius child.” The author’s own admiration for Hughes’s artistry and accomplishments is clearly felt in the voice of this glorious child. Langston’s spirit is a gentle presence throughout the description of his East 127th Street home and his method of composing his poetry sitting by the window. The presentation is stunning. Each section of the poem is part of a two-page spread. Text, in yellow, white, or black, is placed either within the illustrations or in large blocks of color along side them. The last page of text is a compilation of titles of Hughes’s poems printed in shades of gray in a myriad of fonts. Collier’s (Martin’s Big Words, 2001, etc.) brilliantly complex watercolor-and-collage illustrations provide the perfect visual complement to the work. From the glowing vitality of the little girl, to the vivid scenes of jazz-age Harlem, to the compelling portrait of Langston at work, to the reverential peak into Langston’s home, the viewer’s eye is constantly drawn to intriguing bits and pieces while never losing the sense of the whole. In this year of Langston Hughes’s centennial, this work does him great honor. (Poetry. 6-10)
Pub Date: Feb. 1, 2001
ISBN: 0-8050-6744-2
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
