A smart and beautifully rendered portrait of two women’s lives.
A deep friendship takes shape and dissolves in New York City.
“Rose and I moved to New York to be motherless,” begins narrator Charlotte as she sweeps us into the idealism of her 20s in the late-1990s New York literary scene. She and Rose meet in the office of a music magazine where Rose—intense, ambitious, erratic—works in the staff writer position for which Charlotte—meticulous, careful, self-effacing—was passed over. What begins as professional and sexual jealousy morphs into an intimate friendship as the two bond over their commitment to independence and artistic integrity. Alcohol-soaked parties, abortions, marriages, affairs, a divorce, a death in the family, secrets, and betrayals all ensue, related with such cleareyed precision and honesty that only on the rarest of occasions does it tip over into sentimentality. Charlotte’s narration rings true for the discerning writer and editor she is; the prose is razor-sharp and utterly devoid of clutter. Though as a person she drifts and waffles—“What did we want?” is a common refrain throughout—as a storyteller, she never loses focus. Motherless though Charlotte had once aspired to be, as her 20s turn into her 30s and early 40s, the question of motherhood creeps in, whether from her surroundings in stroller-laden Park Slope, from friendships that drift when children arrive, or from a confrontation with the child of a married man with whom she’s had an affair. With deftness and candor, Bauer tells a moving and thoughtful story of how desire and ambition change over time and how to make sense of the messiness of carving out a path and life of one’s own.
A smart and beautifully rendered portrait of two women’s lives.Pub Date: June 21, 2022
ISBN: 978-0-374-28226-4
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
BOOK REVIEW
Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.
Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.
Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?
Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.Pub Date: June 24, 2025
ISBN: 9781668033876
Page Count: 384
Publisher: Atria
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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