While the complex plot intrigues, there is so much violence, so much dirty scheming, that even when the “good guys” win,...
Rome is a hotbed of political corruption, violence, and scheming at the end of Silvio Berlusconi’s reign as prime minister in this modern Mafia novel.
Some of the most powerful Mafia families in town, led by a shadowy figurehead known as Samurai, are taking advantage of the unrest to hatch a multibillion dollar plan to build a luxury waterfront development that will also give them full control of the nearby port of Ostia. But Mafia egos are notoriously delicate, and, inevitably, murder will undercut the spirit of "family" cooperation. The novel begins with a politician covering up the death of a prostitute he's just had sex with, which leads a relatively unimportant gang member to overestimate his power. When he ends up murdered, the response from his family is swift. In the middle of this vicious quagmire stands one smart and noble Carabinieri, Marco Malatesta, himself a product of the violent streets. With help from the magistrate Michelangelo de Candia and a firebrand leftist named Alice Savelli, Marco not only uncovers the complex plans and the murders at their heart, but also sets his sights on Samurai, determined to catch the puppet master once and for all. The novel is set in a very specific time, and it is a novel of Rome, meaning that the city itself, in all its history, glory, and despair, is skillfully sewn into the fiber of the tale. At the same time, there is something old-fashioned about the narrative, because it clearly evokes Mario Puzo’s famous trilogy and other classics of the genre. It can be hard to keep track of all the characters, but loose ends are admirably tied up in the end.
While the complex plot intrigues, there is so much violence, so much dirty scheming, that even when the “good guys” win, it’s hard to muster up much hope for Rome itself.Pub Date: Aug. 22, 2017
ISBN: 978-1-60945-407-4
Page Count: 528
Publisher: Europa Editions
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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