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FELTRINELLI

A STORY OF RICHES, REVOLUTION, AND VIOLENT DEATH

An altogether fine account of a life spent doing good—and, ultimately, evil.

“To die for your ideas is the most radical of fairy tales”: thus the moral of this evocative portrait by the son and heir of Italian publisher and political activist Giangiacomo Feltrinelli.

Feltrinelli père died in 1972 near Milan while apparently trying to blow up a power pylon, an act of disruption in the near-trademark style of his newfound friends in the Red Brigades. He had lived a fairy-tale life, indeed: the heir to a lumber fortune won in the waning days of the Habsburg Empire, Feltrinelli enjoyed every privilege, was pampered by doting relatives—including a mother who was fond of shooting deer from the rear window of her Rolls-Royce—and was groomed to bring even greater fortune to his family. Whereas Giangiacomo’s father was friendly with the fascist regime (if sometimes critical of “Mussolini and his gang of toadies”), Giangiacomo joined the Communist resistance during WWII and emerged in the postwar era as one of Italy’s most capable political organizers. With the blessing of the Communist Party, he founded the publishing imprint that today bears his name, issuing a list of paperbacks that formed a syllabus for would-be radicals; the first titles he published, in 1955, were Bertrand Russell’s The Scourge of the Swastika and Jawaharlal Nehru’s Autobiography. Soon thereafter he acquired rights to Boris Pasternak’s Doctor Zhivago, which would likely never have seen print without Feltrinelli’s efforts; Carlo Feltrinelli’s account of the tangled history of the great novel’s publication is among the best there is and will be of great interest to students of dissident literature. The son writes with affection for his father, though he is at a loss to understand how Feltrinelli evolved from more or less orthodox Communist into terrorist, even while refusing to give up his yachts and nice cars and other perquisites of wealth.

An altogether fine account of a life spent doing good—and, ultimately, evil.

Pub Date: Nov. 1, 2002

ISBN: 0-15-100558-3

Page Count: 352

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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