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EMERSON AMONG THE ECCENTRICS

A GROUP PORTRAIT

In his final, unfinished work, literary scholar Baker (Ernest Hemingway: A Life Story, 1969, etc.) views an eclectic collection of individuals through the lens of conventional scholarship. Working from the early 1970s until 1986, the year before he died, Baker set out to show how Emerson's views ``were reflected, contradicted, partly diverged from, or zealously misrepresented'' by his acquaintances. Although the work falls short of this ambitious goal, it offers a glimpse of a set of fascinating people and the points at which their lives touched Emerson's. There are, most notably, Emerson's second wife, Lidian, hovering in the background, chronically ill; Aunt Mary (Mary Moody Emerson), the eccentric par excellence, who considered tact ``only another name for lying''; Bronson Alcott, whose wealth of ideas could not keep his family out of poverty; Henry Thoreau, who spent more time camping in Emerson's house than at Walden Pond; Margaret Fuller, who was intellectually brilliant and emotionally demanding; and Jones Very, a poet who was briefly convinced that he was ``the Second Coming.'' The focus of the narrative shifts from person to person with each chapter, portraying Emerson as the genial and stable center of a tornado of friends, but the image occasionally cracks: Surely a man capable of peering into his son's coffin 15 years after the boy's death is at least a candidate for the title of eccentric. And while Baker presents some of the circle as ``self-appointed disciples'' whom Emerson saw simply as friends, a complaint from Thoreau suggests otherwise: ``He would not meet me on equal terms, but only be to some extent my patron. He would not come to see me, but was hurt if I did not visit him.'' Although this group biography is less than the sum of its parts, the parts themselves remain deeply intriguing.

Pub Date: April 1, 1996

ISBN: 0-670-86675-X

Page Count: 640

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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