A lesser work than such fully achieved recent fictions as The Years with Laura Diaz and The Eagle’s Throne, but of real...
Sixteen cleverly varied short stories, separated by mostly free-verse interludes, form a broad image of modern Mexico in the latest fiction from that country’s most prominent writer (The Eagle’s Throne, 2006, etc.).
As its title allusion to Tolstoy promises, many of these pieces are concerned with relations among parents and children, spouses and siblings. “A Family Like Any Other” explores the stunted lives, graced only by sustaining illusions of accomplishment and empowerment, of a department-store salesman forced into early retirement, his romantic dreamer wife (a former bolero singer) and their career-challenged, embittered stay-at-home adult children. There follows a plaintive “Chorus of the Street Gossips,” channeling the plea of an unborn child not to be born into poverty and misery. Thus it goes, as Fuentes examines the ordeals endured by a crime impresario (“The Mariachi’s Mother”) who cannot divert her son from following her path; a powerful military commander whose own sons work for powers he helped overthrow (“The Armed Family”); a pair of male lovers whose contented union reflects the social changes of several decades (“The Gay Divorcée”); and a sexually adventurous woman who confesses to her present lover her enslavement by a brutal egotist (“The Secret Marriage,” perhaps intended as an allegory of Mexico’s ongoing vulnerability to opportunists and tyrants). The stories’ range is both impressive and somewhat predictable, as we keep meeting characters whose passions appear to confirm generic clichés about Latinos’ volatile emotions and ingenuous submission to the demands of a religion that counsels endless patience. Still, even when plots seem unoriginal, Fuentes earns our attention with vivid dialogue and detail.
A lesser work than such fully achieved recent fictions as The Years with Laura Diaz and The Eagle’s Throne, but of real interest as a Latin American little brother to John Dos Passos’s U.S.A., the book that may have inspired it.Pub Date: Sept. 30, 2008
ISBN: 978-1-4000-6688-9
Page Count: 352
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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