A nerve-grating cautionary tale, and one of his best books.
First published in Spanish in 2002, the veteran Mexican author’s ebullient revival of the epistolary novel casts a frosty eye on future (and contemporary) geopolitics.
In the year 2020, lame-duck Mexican president Lorenzo Terán provokes the U.S. (and its chief executive, Condoleeza Rice) by formally protesting the presence of American troops in neighboring Colombia, and threatening to follow OPEC’s lead in setting prices for oil shipped north. Mexico’s conduit to the rest of the world—its satellite communication system (which is routed through Miami)—mysteriously goes down. The politically active find they’re able to communicate only by writing letters—and Fuentes’s richly comic premise begins to disclose a teeming little world of interconnected intrigues. Machiavellian beauty María del Rosario Galván schemes to place her handsome, sexually resourceful young “protégé,” Nicolás Valdivia, on “the eagle’s throne” (i.e., Mexico’s presidency, limited by law to a single six-year term). But Nicolás is a front, employed to pave the way for María’s longtime lover, Secretary of State Bernal Herrera. Meanwhile, a former president fidgets in retirement, hungry for a return to power. A yes-man opportunist is set up as a straw man whom Valdivia can easily topple. Truculent General Cícero Arrunza dreams of establishing an efficient military dictatorship. These and other machinations are seen in the contexts of Mexico’s embattled political history (recently scarred by the cruel fate visited on doomed naïf populist candidate Tomás Moctezuma Moro); skeletons hidden in numerous closets; and Nicolás’s inconvenient independence. The world outside spins on, blithely unconcerned (nonagenarian Fidel Castro still thrives in Cuba)—and a Downs Syndrome child, an embarrassment locked safely away from public view, speaks the novel’s poignant final words. Of course, the detailed (often redundant) exchanges of letters are anything but realistic. Still, in a gratifying return to form, Fuentes handles the hoary old convention with impressive finesse.
A nerve-grating cautionary tale, and one of his best books.Pub Date: May 16, 2006
ISBN: 1-4000-6247-0
Page Count: 352
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
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BOOK REVIEW
BOOK REVIEW
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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