by Carlos Manuel Álvarez ; translated by Frank Wynne with Rahul Bery ‧ RELEASE DATE: June 21, 2022
Beautifully composed authentic vignettes about Cubans of all stripes.
Pungent snapshots of life in Cuba both before and after the death of Fidel Castro.
Cuban journalist Álvarez has an excellent facility with dialogue and story, showing readers the distinct personalities of a diverse swath of Cuban citizens. First published in 2017, the book opens with a tender transitional moment as Presidents Barack Obama and Raúl Castro announced the restoration of diplomatic relations between the two countries on Dec. 17, 2014. “This news,” writes the author, “is not as momentous to Americans as it is to Cubans. Hence the fact that the announcement leaves no gringos bewildered, wondering what is happening and what will happen next. Cubans, on the other hand—we who effortlessly make an epic of the everyday, who don’t hesitate to declare the slightest skirmish or governmental whim a historic event—are instantly eaten up by questions, and frantically searching for some kind of clarity in our neighbors’ opinions in a way we never have before.” Throughout, Álvarez renders multifaceted portraits of a wide variety of memorable characters: American fugitives from justice; José Contreras, the Yankees pitcher who was finally allowed to return to his home country; members of the breakout Cuban orchestra Los Van Van; Rafael Alcides, a revered dissident poet in seclusion; a butcher and other shopkeepers who have learned to squeeze out a living by working the black market; impoverished intellectuals and beleaguered performance artists; and those walking along Havana’s famed esplanade, the Malecón, where the author visited “to do battle with an age-old canard: the syrupy, sentimental claptrap that third-rate poets, hack journalists, and miserable minstrels have poured over the long wall that girdles the city’s entrails.” Most of the author’s subjects love their country despite suffering under an authoritarian system that has left them with meager wages, food scarcity, and significant emotional drain. Álvarez captures it all in a satisfyingly kaleidoscopic narrative portrait.
Beautifully composed authentic vignettes about Cubans of all stripes.Pub Date: June 21, 2022
ISBN: 978-1-64445-090-1
Page Count: 336
Publisher: Graywolf
Review Posted Online: April 15, 2022
Kirkus Reviews Issue: May 15, 2022
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by Carlos Manuel Álvarez ; translated by Frank Wynne
by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
by Bob Woodward ‧ RELEASE DATE: Oct. 15, 2024
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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