THE GHOSTS OF NAMELESS ISLAND

A run-down mansion next to an old cemetery makes an uncomfortable new home for a boy who can see ghosts.

Still weirded out six months after the sudden disappearance of his dad, 12-year-old Gus Greenburg arrives with his likewise traumatized mom at Rotham Manor, which is located on a small island in Washington state, only to discover that the place has been mysteriously ransacked. As if that and the misty old adjacent burial ground weren’t creepy enough, there’s an angry child ghost that only Gus can see lurking in an upstairs closet (“Why does it always have to be closets?”). Along with this classically atmospheric setting and scary thumps and other noises aplenty, West treats readers to multiple specters that are even more rousingly hideous in her descriptions than in Skaffa’s spiky, stylishly grotesque monochrome scenes and spot art. The author also kits Gus out with new friends and instant allies: purple-haired Tavi, who has two moms and, like Gus, is Jewish, and Korean American Miles, an eager “ghostologist.” In the course of various unauthorized exploits that leave all three in deep doo-doo with their parents, the trio uncover evidence of the ghostly child’s identity. Hints of dark doings in the island’s past also emerge before this trilogy opener ends with a sudden and terrifying cliffhanger.

All the shivery feels, escalating to the nightmarish in spots.