by Carme Lemniscates ; illustrated by Carme Lemniscates ‧ RELEASE DATE: March 12, 2019
This book of birds tries to take off but doesn’t fully fly.
The author/illustrator of Trees (2017) presents another broadly titled work, similar in illustration and feel.
Vibrant digital illustrations, reminiscent at times of watercolors, show many different birds—birds of all shapes, sizes, and colors, compared in their natural habitats and in flight. The presumed narrator is a brown-skinned, dark-haired young child, walking and bicycling around outdoors, observing birds, and spending time with a pale-skinned friend. Many different birds are presented in this book—a peacock, geese, an eagle, a hummingbird, macaws, owls, and more—but none are identified in any way. The text, an abstract homage, is gentle and spare, but it often feels disjointed and may not mesh with the developmental level of the young readers likely to be attracted to it: “A bird’s song is like the loving words of a friend. // A happy song that greets us every morning. // And our hearts sing, too, because birds are like good news coming. // Or messages of peace.” Birds are presented as metaphor and inspiration as well as physical beings; the last spread show the young protagonist riding on a goose, high up in the sky, surrounded by different birds. “They make our imaginations soar.” Endpapers are filled with individual feathers of different birds.
This book of birds tries to take off but doesn’t fully fly. (Picture book. 3-5)Pub Date: March 12, 2019
ISBN: 978-1-5362-0178-9
Page Count: 40
Publisher: Candlewick Studio
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Aaron Blabey ; illustrated by Aaron Blabey ‧ RELEASE DATE: Dec. 27, 2016
Children who love dogs will find this amusing the first time through, but the humor palls quickly.
In rhyming text, a bug-eyed pug named Pig stubbornly refuses to share with the almost equally bug-eyed Trevor, the “wiener dog” he lives with—and soon gets his comeuppance.
The book begins showing the eponymous dog astride a large, red bowl of dog food, tongue hanging out and all four paws gripping the bowl. It perfectly matches the text: “Pig was a Pug / and I’m sorry to say, / he was greedy and selfish / in most every way.” A bit of humor comes through when the text plays on the adage about pigs by reminding readers that “pugs cannot fly.” However, most of the text is composed of trite, tired rhymes. The ending is a punch line whose funny picture will have little ones giggling. However, the ultimate “lesson” is a rather dark cynicism, more appropriate to children older than the age suggested by the rhymes, the art, and even the publisher. There may be some vicarious thrills for those who have witnessed excessive selfishness. The artwork is humorous, although Pig’s appearance is sometimes more grotesque than funny—particularly when he shouts at Trevor. Both male dogs’ facial expressions and body language add to the humor, and dog lovers will appreciate Pig’s array of colorful toys. Scansion is spotty, which should not happen in verses so dependent on rhythm and rhyme to entertain their young audience.
Children who love dogs will find this amusing the first time through, but the humor palls quickly. (Picture book. 3-5)Pub Date: Dec. 27, 2016
ISBN: 978-1-338-11245-0
Page Count: 32
Publisher: Scholastic
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Greg Pizzoli ; illustrated by Greg Pizzoli ‧ RELEASE DATE: April 19, 2016
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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