A collection of original literary biographies connected by a single circumstance that does not by itself suffice to pull...
In her nonfiction debut, anthologist Ciuraru (editor: Poems About Horses, 2009, etc.) presents brief biographies of a handful of pseudonymous authors from George Sand to the late 20th century.
What motivates a writer to publish under another name? Ciuraru offers quite a few reasons in these biographical sketches of writers whose works of fiction appeared under a pseudonym and one, Portugal’s Fernando Pessoa, who wrote under more than 70 heteronyms, separate personalities each with its own style and extensive imaginary biography. Most of the Ciuraru’s choices are familiar figures—Mark Twain, George Orwell, Lewis Carroll, Sylvia Plath—and each section begins with a single introductory sentence that may be intended as intriguing but often serves instead to suggest an unsettling contempt for her subjects. If there is a consistent lesson to be taken from these lives, it is that a successful author will find it nearly impossible to hide behind a pseudonym for long. Otherwise, these authors have little in common; their reasons for publishing pseudonymously and their attitudes toward their alter egos are as varied as their life stories. Ciuraru does not attempt to find a pattern among them or impose one upon them, nor does she explain how her subjects’ struggles with identity issues might differ from those of other authors. Written in a breezy style that occasionally lapses into the vernacular, the biographies are lively and entertaining, but they provide no real secrets or startling revelations. The omission of endnotes will disappoint readers attempting to determine whether an assertion is the author’s own or reflects a scholarly consensus, or those seeking the sources of delicious factual tidbits like the width of Emily Brontë’s coffin (17 inches).
A collection of original literary biographies connected by a single circumstance that does not by itself suffice to pull them together.Pub Date: June 14, 2011
ISBN: 978-0-06-173526-4
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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