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WHERE TOMORROWS AREN'T PROMISED

A MEMOIR OF SURVIVAL AND HOPE

Neither a tell-all nor an exercise in self-aggrandizement, this is an inspirational, engaging story from a straight shooter.

The coming-of-age story of a future NBA Hall of Famer who has conquered numerous challenges on his journey.

Anthony is recognizable even if you’re not a fan of the game. A consensus All-American and NCAA champion at Syracuse, three-time Olympian, and 10-time All-Star, he’s had a remarkable run. For those looking for a deep dive into his profession or notes on the mechanics of his game, this isn’t it; but it’s more than that. Many sports memoirs start with an origin story, but this one is more thought-provoking than one might expect. Kudos to Watkins, who shapes the narrative and rhythm without stepping on Anthony’s voice. The book begins at Madison Square Garden at the 2003 NBA draft; Anthony was the third pick after LeBron James and Darko Miličić. “Am I excited?” he remembers. “I’m a Black kid from the bottom. I had to fight through some of the toughest housing projects in America. I’m standing here tonight as a potential top five, top three, maybe even top two NBA draft pick….My mom had worked two jobs for as long as I could remember. Now I would be able to take care of her, buy her a house, a car, a mink—whatever she wanted—and that was exciting.” The primary story is the author’s impressive life trajectory, from the projects of Red Hook, Brooklyn, to the mean streets of Baltimore to Syracuse and, eventually, NBA superstardom and sports icon. Throughout, the losses are palpable, including the death of his stepfather to diabetes and the murder of his older cousin. Through it all, Anthony has stayed true to his core beliefs. “I’m loyal to everybody, because I believe in humanity,” he writes. “But I’m especially loyal to my family and the people I love, even if I know they wouldn’t do the same for me. That’s just how I am, no questions asked.”

Neither a tell-all nor an exercise in self-aggrandizement, this is an inspirational, engaging story from a straight shooter.

Pub Date: Sept. 14, 2021

ISBN: 978-1-982160-59-3

Page Count: 208

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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