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WOMBAT SAID COME IN

A superb read-aloud balancing messages about the environment and generosity with humor and heart.

Wombat’s sense of hospitality is hard-pressed as other animal residents of the burning Australian bush seek refuge in his cool, safe, underground home.

From the start, the text seems made for a read-aloud: “Wombat was not worried. No, not a tittle. Fire had passed over his burrow before.” A delightful, full-bleed double-page spread depicts a cutaway of Wombat in his orange-toned burrow, while outside and above, readers see a pale sky and a drift of smoke. The mannerly marsupial—his patterned quilt wrapped over his collared, khaki shirt—settles in to have tea and wait out the fire. Immediately, he hears the first of many interruptions at his door. Wallaby is begging for shelter, and Wombat invites him in with a welcoming verse that becomes his standard reply each time another refugee arrives (“Wombat said, ‘Come in!’ / Wombat said, ‘Come in!’ / From smoke and din / and howling wind / come in, my friend, come in!”). The charming, easily learned mantra changes only when the crisis ends. Each succeeding guest is more demanding, from Kookaburra, Platypus, and Koala to tiny Sugar Glider. The dry wit of the text is matched by art that is both detailed in illustrating each animal and hilarious in showing poor Wombat’s trials. One of many funny touches is the fact that only Wombat wears clothing. Beneath the fun, however, lies the grim reality of climate change, tempered by lessons in zoology and, especially, practical altruism. (This book was reviewed digitally.)

A superb read-aloud balancing messages about the environment and generosity with humor and heart. (Picture book. 4-8)

Pub Date: Oct. 4, 2022

ISBN: 978-1-68263-321-2

Page Count: 36

Publisher: Peachtree

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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