A fiercely honest, imaginatively written, and necessary memoir from one of our great young writers.
In this daringly structured and ruthlessly inquisitive memoir, Machado (Her Body and Other Parties, 2017) examines an abusive relationship with an eye to both personal truth and cultural assumption.
The author begins with a declaration. “I speak into the silence,” she says. “I toss the stone of my story into a vast crevice; measure the emptiness by its small sound.” She is writing to record her experience of queer sexuality and intimate psychological violence; by telling her story, she's committing its existence to history. History has largely ignored the queer experience, particularly the existence of domestic abuse between queer women. As Machado points out, when you are invisible from the collective narrative, it is harder to imagine what your own feelings mean. The relationship at the heart of this memoir is resurrected with visceral potency. Instead of tracing her past with linear continuity, the author fractures it, diving into beautifully or painfully remembered moments with a harrowing emotional logic. As Machado recounts, she fell in love with a woman who seemed wonderful—they had sex, went on road trips, met parents—but who eventually became oppressively terrifying. In other sections, the author recounts an episode of Star Trek: The Next Generation and illuminates the imagery of abuse in two films by George Cukor. Machado uses slippery changes in point of view and a knack for translating emotion into concrete sensation to slide readers into her space, where they experience the fear and confusion of abuse from the inside. She applies the astonishing force of her imagination and narrative skill to her own life, framing chapters with storytelling motifs (unreliable narrator, star-crossed lovers, choose-your-own-adventure) and playful footnotes. Occasionally, the various parts muddle each other’s trajectories, but the heart of this history is clear, deeply felt, and powerful.
A fiercely honest, imaginatively written, and necessary memoir from one of our great young writers.Pub Date: Nov. 5, 2019
ISBN: 978-1-64445-003-1
Page Count: 264
Publisher: Graywolf
Review Posted Online: July 7, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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