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BUILDING AN ORCHESTRA OF HOPE

HOW FAVIO CHÁVEZ TAUGHT CHILDREN TO MAKE MUSIC FROM TRASH

Like a dose of pure inspiration.

Harmony comes from an unlikely place.

Arriving in Cateura, Paraguay, in 2006, the musically inclined Argentinean Favio Chávez expected to help the families of “a small village built on a landfill” with a recycling project. The local recyclers, called gancheros, spent their days wading through loads of filthy trash to gather and sell whatever was salvageable. As Favio grew closer to the ganchero community, he worried about the futures of the children. Could he teach them to play instruments in his youth orchestra? One problem: “He had more kids than instruments.” An idea soon struck. Favio roped in a ganchero friend named Nicolás “Colá” Gómez, who repurposed “old drain pipes, door keys, metal forks and spoons, X-ray films, bottle caps, glue canisters,” and more into custom-made instruments over a period of years. At last, the child musicians each got the instrument they needed to create music under the tutelage of Favio. “And what music they made!” Indeed, this remarkable retelling of the surprising origins of the Recycled Orchestra of Cateura, which has since gained international acclaim, motivates by the sheer ingenuity described. Oliver’s text carefully chronicles each step undertaken by Favio in his quest to share a little music and hope with the town of Cateura, a community toiling through the material excesses of the modern world. Uribe’s artwork—full of color yet naturalistic in its depictions—complements the prose. (This book was reviewed digitally.)

Like a dose of pure inspiration. (further information, bibliography) (Informational picture book. 5-10)

Pub Date: Oct. 25, 2022

ISBN: 978-0-8028-5467-4

Page Count: 44

Publisher: Eerdmans

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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HOW SWEET THE SOUND

A work whose lyrical and artistic genius only becomes more apparent upon rereads.

A journey through American music history as shaped by Black artists and traditions.

Fittingly, given the U.S.’s long and complicated racial history, this work takes its title from the beloved hymn “Amazing Grace,” written by a slave trader turned abolitionist. The book begins on the African plains: “Listen to the fireside chorus / of the motherland / to the talking drums / dancing beneath the gold sun / that beat a bold tapestry / of yesterday’s stories / and tomorrow’s dreams.” Likewise, the author has created a beautiful tapestry, woven with song titles and musical references. With each introduction to a different genre, he implores readers to “listen.” Laced with powerful imagery, alliteration, and onomatopoeia (“BUM-DUN! BUM-DUN!”), his verse begs to be sung. Taking a comprehensive approach, Alexander explores regional styles such as go-go alongside internationally known genres, including gospel, jazz, and hip-hop. Palmer’s distinctive illustrations offer the perfect accompaniment. Bold colors set the mood, while his brush strokes evoke movement and convey strong emotion as he depicts everything from enslaved people joyfully dancing in New Orleans’ Congo Square to fists raised high for Black power to performances by Chuck Berry, Prince, Lauryn Hill, and other musicians. Detailed backmatter defines terms and explains the significance of the music referenced.

A work whose lyrical and artistic genius only becomes more apparent upon rereads. (Informational picture book. 5-10)

Pub Date: Jan. 14, 2025

ISBN: 9780316442497

Page Count: 48

Publisher: Little, Brown

Review Posted Online: Oct. 12, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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