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THE FAMILY IDIOT

GUSTAVE FLAUBERT, 1821-1857, VOLUME 5

The second volume of an ongoing translation of Satire's dense, immense biography and analysis of the young Flaubert. Sartre's thesis, expressed in highly complex format, is that Flaubert was something of a child genius, and that by reading the works of his extreme youth, the lover of his later works can recognize all of the future masterpieces, such as Madame Bovary, in embryo. This contradicts the pre-Sartreian belief that Flaubert was a late developer, in fact, the "family idiot." When such a complex text is translated, it should be asked for whom the job of Englishing is done. Even in English, Satire's arguments are sufficiently difficult to follow as to discourage the casual reader. Moreover, the interested investigator into Flaubert's early work had better know French, as almost none of it has been translated. Therefore, we are left with a large project that may well be of use to a limited number of scholars or either Sartre or of Flaubert. Otherwise, this fairly expensive volume cannot be tailed a "fun read" for those who are less deeply involved on a professional level. This caution slated, il is important lo stress that Cosman has continued her fluent job of translating what is occasionally an unfluent original. Despite his awkwardnesses of style, Sartre's is certainly one of the most stimulating recent works on Flaubert, largely because nothing embarrasses the critic. Even Flaubert's likely episodes of homosexuality in adolescence and later are given their full due here, with a description of a comrade's appreciating "the feminine charm emanating from Gustave's young body." The details of the carnal life of the novelist are only a part of the exceptionally thorough and all-inclusive approach that the author takes toward his fascinating subject. Illuminating, but more for specialists than for the general reader.

Pub Date: April 1, 1987

ISBN: 0226735192

Page Count: 646

Publisher: Univ. of Chicago

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: March 15, 1987

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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