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BE MY GHOST

Perry’s new series kickoff smartly doesn’t give away its biggest mysteries.

A laid-off retailer left a property by a mysterious benefactor tries to make it a profitable business in spite of the dead man on the front porch.

Things aren’t looking good for Maureen Doherty. When her job at Bartlett’s disappears, she’s not sure where she’ll find another company willing to hire a women’s sportswear buyer, and the generous severance she’s been given still won’t cover the cost of heat for the cold Massachusetts winter ahead. But things turn around suddenly with a surprising envelope from a Florida law firm. A Penelope Josephine Gray has died and left her home and business, Haven House Inn, to Maureen. Like other heroines of cozy mysteries, Maureen doesn’t wonder too much about being willed property by someone she’s never met in a place she’s never been. Instead, she straps her dog, Finn, into the car and heads down to start a new life. Haven House is a quirky place that could do with a bit of a renovation, not just in the dated furniture and linens, but also in some of the staff, many of whom appear to have been taking advantage of the former proprietor. Of special note is manager Elizabeth Mack, who’s not only unfriendly to the changes Maureen tries to make, but also commits the cardinal sin of not liking dogs. Maureen tries to figure out how to wrangle staff and turn Haven House profitable—maybe by capitalizing on its alleged haunting—but she soon finds herself in trouble when she finds a very still man on the porch who isn’t just sleeping….

Perry’s new series kickoff smartly doesn’t give away its biggest mysteries.

Pub Date: Aug. 31, 2021

ISBN: 978-1-4967-3135-7

Page Count: 320

Publisher: Kensington

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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