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'TIL DEATH

Just what all proper brides should have: something old and something new.

A program director for a TV station just can’t leave her days as an investigative journalist behind.

Lee Barrett likes being on the production end of things at WICH-TV in Salem, Massachusetts. It gives her access to a wide variety of program material, from Ranger Rob’s Rodeo to Tarot Time With River North to Cooking With Wanda the Weather Girl. It gives her an in with local celebrities like Fabulous Fabio, an aspiring magician whose day job involves baking the tastiest cakes in town. It allows her to score one of Fabio’s fabulous creations for her upcoming wedding to police detective Pete Mondello in return for giving Fabio a chance to showcase his sleight of hand on Ranger Rob’s. And it gives her time to order flowers, have her dress altered, pick out invitations, and buy a new home, tasks her old schedule as a reporter would never have allowed. Lee’s ready to leave the home she’s shared with her Aunt Isobel since her parents’ tragic deaths in a plane crash on Pirate’s Island when she was almost 5. Unfortunately, the tenant first in line to take her place in Aunt Ibby’s newly renovated bed-and-breakfast is Fenton Bishop, a mystery writer who learned his craft in the slammer after pleading guilty to the murder of his wife. With Pete’s help, Lee looks into Bishop’s past. At the same time, station manager Bruce Doan wants her to do a piece on Pirate’s Island while she and Pete are stopping there during their honeymoon to visit her aunt and uncle. Perry teases readers long and hard with the mystery of which puzzle Lee will try to unravel before she lets her heroine get down to the actual unraveling.

Just what all proper brides should have: something old and something new.

Pub Date: April 26, 2022

ISBN: 978-1-4967-3143-2

Page Count: 384

Publisher: Kensington

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

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Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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