by Carol Otis Hurst & illustrated by S.D. Schindler ‧ RELEASE DATE: Feb. 1, 2007
Remember the blizzard of 1888? Probably not, but the narrator’s two grandpas sure do. Depending on whether you ask Grandpa Walt, who loves to be around people, or Grandpa Fred, who’s a bit shy, they’ll both tell you it was the worst storm ever, but each for a different reason. When the unexpected storm hit, Grandpa Walt was chopping firewood and Grandpa Fred was delivering milk. The snow was so deep they had to take cover. Sociable Walt found refuge in a barn, stuck for three days with only a horse, chickens and cats. Shy Fred got trapped for three days in the White Horse Inn full of people. As they reminisce, the watercolor-and-ink illustrations add humorous nuances with historical details and personality traits. Clever formatting of the text places one line between two panels, above for Walt and below for Fred, juxtaposing each one’s “survival.” Kids may need to flip pages to keep the grandpas straight (a beard is key), but that won’t detract from the fun. The author’s note cites that the story is based on her own grandfathers’ experiences. Great for sharing and storytelling. (Picture book. 5-8)
Pub Date: Feb. 1, 2007
ISBN: 0-06-009001-4
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
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by Carol Otis Hurst & illustrated by Kay Life
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by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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by Andrew Clements ; illustrated by Brian Selznick
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by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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by Marie Bradby & illustrated by Ted Rand
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