Weatherford’s compressed poetic homage to Coltrane’s early influences relays biographical details through metaphors evoking sound: “Before John was a jazz giant, / he heard Grandpa’s Sunday sermons, / Mama playing hymns for the senior choir, / and the scoutmaster’s call to join a band.” Five other stanzas, each beginning with the titular phrase, both convey 1930s references (Bojangles, big bands) and presage Coltrane’s musical arc to come (“he heard…a saxophone’s soulful solo, / blue notes crooning his name.” Qualls’s mixed-media full-bleed spreads employ a color palette (blue, sienna, ochre, white) and sonic iconography similar to (and not exceeding) his much-praised work in Dizzy. Circles and bubbles populate each spread, standing in for the emanations of Grandma’s cooking pots, the setting-sun sadness of a family funeral and sweet possibility, as John “picked up that horn.” Layout conspires nicely to deliver Weatherford’s final couplet over two full spreads: “Before John was a jazz giant, / he was all ears.” (author’s note, selected recordings, reading list) (Picture book/biography. 5-8)
Pub Date: April 1, 2008
ISBN: 978-0-8050-7994-4
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
A charming year in the life of a most idyllic farm; horse lovers will be entranced.
Let’s go for a pony ride!
Lily, a young Black child who lives on a farm, takes readers on a tour. Meadows’ verse leads us step by step through the seasons—ponies grazing in a pasture on a warm day, Lily taking part in a pony show in autumn, and ponies hunkering down in the barn, taking refuge from the “frost and snow” of winter. The easy rhythm of the text pairs well with Cloud’s soft, pastoral vistas. While the story is delivered with a light touch, it still shows the hard work of caring for a large animal. “Soapy water in a pail. / Gentle strokes from head to tail.” “Pick the hooves / for stone and dirt / I notice when / my pony’s hurt.” Exuding familial warmth, the bright artwork lets readers follow Lily from pastures to picnics—and even, best of all, to the arrival of a newcomer: “A foal is born / New life is here.” This easy reader will speak to any child who has wished for a pony of their own and refreshingly centers a family of color—something not often seen in similar titles.
A charming year in the life of a most idyllic farm; horse lovers will be entranced. (Early reader. 5-8)Pub Date: May 2, 2023
ISBN: 9780593483169
Page Count: 48
Publisher: Random House
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
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