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BOX

HENRY BROWN MAILS HIMSELF TO FREEDOM

Heartbreaking and legendary.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2020


  • Newbery Honor Book

After losing his family to treacherous slaveholders, Henry “Box” Brown risks his life in an unusual bid for freedom.

Weatherford’s account, written in Brown’s voice, takes readers through his life and times in measured lines of poetry, with one to four poems per spread; most have six lines, like the sides of the box. Poems such as “Work,” “Brutality,” “Nat,” “Laws,” and “Crop” document Brown’s early life as a slave. After he marries Nancy, her master goes back on his promise never to sell her. Brown tries to stay with Nancy through several sales, but when she and their children are finally sold away, never to return, Brown asks, “Lord, what more do I have to lose?” He dreams of freedom and prays for freedom until he is inspired to ship himself in a box to a trustworthy contact up North, where he begins the rest of his life. This lengthy retelling details what life was like for both enslaved and free Blacks at this time in U.S. history as well as the pain and near suffocation Brown suffered on his way to freedom. The poems are set against a white background facing full-page textured paintings featuring stylized figures and patterns reminiscent of quilts. Brown’s story never gets old, and this illustrated biography is rich in context and detail that make it heavier on history and better for slightly older readers than, for instance, Ellen Levine and Kadir Nelson’s Henry’s Freedom Box (2007).

Heartbreaking and legendary. (timeline, bibliography, illustrator’s note, author’s note) (Picture book/biography/poetry. 8-12)

Pub Date: April 14, 2020

ISBN: 978-0-7636-9156-1

Page Count: 56

Publisher: Candlewick

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: March 1, 2020

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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