A breathtakingly gorgeous book that no reader should be without.
Two acclaimed creators have teamed up for an unqualified and unapologetic ode to Black hair.
An opening double-page spread of colorful planets, aligned in a star-spangled night sky, is followed by a depiction of Black women wearing crowns and beaming. (The backmatter explains that in 2019, Black women all over the world “made history as the titleholders of five major beauty pageants.”) In rhyming verse, Weatherford pays tribute to the textures, styles, and intricate patterns of Black hair, as well as adornments, coverings, and products used to care for it. Metaphors and similes abound (“Like waterfalls, our hair cascades,” “each strand a story without end”). Accompanying Weatherford’s potent words, Holmes’ stunning collage illustrations, in a plethora of textures, colors, and patterns, accentuate characters’ beautiful brown skin. Many scenes highlight the important role that hair care plays in bringing Black women and girls together, including a depiction of a dark-skinned mother reading a story to her baby; both sport matching Afros, with a bright yellow sunflower adorning each head. An especially striking image depicts a rainy day, bathed in blues and purples, with three women wearing a hijab, a headwrap, and a gele and carrying yellow and orange patchwork umbrellas, alongside a woman wearing a patchwork wide-brimmed hat—a stirring tribute to Black women’s beauty and verve.
A breathtakingly gorgeous book that no reader should be without. (glossary) (Picture book. 4-8)Pub Date: Sept. 3, 2024
ISBN: 9780763697945
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
