In elegant free verse, Weatherford imagines Tubman’s remarkable escape from slavery and her role in guiding hundreds to freedom. Diverse typography braids three distinct narrative strands. White or black type delivers the third-person immediacy of Harriet’s journey: “At nightfall, Harriet climbs into a wagon, / and the farmer covers her with blankets. / As the wagon wobbles along, Harriet worries that it is heading to jail.” Larger, italic type telegraphs the devout Harriet’s prayerful dialogue with God: “Shall I leap, Lord?” God’s responses to her beseeching questions garner capitalized letters in warm grays. Nelson’s double-page, full-bleed paintings illuminate both the dire physical and transcendent spiritual journey. At night, the moon lights Harriet’s care-wracked face below a deep teal, star-pricked sky. By day, she disappears: A distant safe farm appears under a wan blue sky; a wagon transporting the hidden Harriet silhouettes against a golden sunset. Unique perspective and cropping reveal Tubman’s heroism. Reaching Philadelphia, she’s haloed in sunlight. Embracing her role as conductor, Harriet’s face, eyes on the journey ahead, fairly bursts the picture plane against a blazing blue sky. Transcendent. (foreword, author’s note) (Picture book. 5-9)
Pub Date: Sept. 1, 2006
ISBN: 0-7868-5175-9
Page Count: 48
Publisher: Disney-Jump at the Sun
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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