A pleasing introduction to plant biology with cross-curricular appeal.
Eighteen poems designed to be read aloud present the world of growing things in paired first-person voices.
Ideal for classroom use, this collection of short performance pieces introduces seed distribution, plant germination, the roles of roots and sunlight, pollinators and some familiar creatures. Working this plant world are two kinds of bees, worms, snails, ladybugs and, of course, monarch butterflies—as caterpillars munching milkweed, in chrysalises and emerging to fly. With short lines, judicious use of rhyme and some interesting language, the poetry works well. “Let’s get out of these coats. / I’m not ready. Please wait! / It’s easy. I’ll show you. / Watch me germinate.” The personification of each subject will appeal to young readers, and the voices are distinguished by spacing on the page as well as by color. For the most part, each double-page spread contains a single poem, illustrated with Yelchin's bright graphite-and-gouache paintings, which take full advantage of the author’s colorful subjects. There are indoor and outdoor scenes: One child blows a dandelion seed; two others observe seedlings. Other animals appear, too: birds, a dog, a hungry rabbit and a curious vole. Connections are everywhere. On a final page, Gerber summarizes the processes introduced in her poems.
A pleasing introduction to plant biology with cross-curricular appeal. (Informational poetry. 4-7)Pub Date: Feb. 5, 2013
ISBN: 978-0-8050-9211-0
Page Count: 32
Publisher: Henry Holt
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
IN THE NEWS
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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